On the whole, RAJA BHAIYA has everything going against it, most importantly its script. Tiku Talsania, Rakesh Bedi, Sadashiv Amrapurkar, Ajit Vachhani and Anang Desai are loud and irritating. The supporting cast looks straight out of a play where the mikes have gone awry. Aarti Chhabria is tolerable, but her retarded antics irritate. He tries hard to infuse life in his role, but there's nothing original about it. Talking of performances, Govinda falls flat. 'Tu Jo Has-Has Ke' is the only track that stands out. One needs to remind him that over the years the taste and preference of the audiences have changed.ĭialogues, which should have been the highlight of films belonging to this genre, are repetitive. Also, the makers' attempt at trying hard to squeeze in as much as possible takes it further down the slope.ĭirector Raman Kumar is completely at sea in his comeback. What's worse is, unlike other Govinda films, this one falls flat even on the comedy aspect. Right from the illogical turn of events, a drab screenplay to tacky characterisation, the film gives reasons aplenty to make a hasty exit. But after Pratibha's amnesiac phase is over, she can't remember who Raja is, not to mention what relationship they share.īut like other phases, even this one doesn't last long as a magical slap by Raja helps her regain all she should remember, finally bringing the film to a happy end.įinding faults with RAJA BHAIYA is as easy as spotting a thick black spot across a white background. He tries the remaining tricks in his book to get her back. Raja pursues her and lands in the city of dreams. However, their love story meets an abrupt end when her uncles surface and take her back to Mumbai. Raja falls for her innocence and love blossoms. Unable to turn down her word, he unwillingly marries her.īut the initial squabble between Raja and Pratibha is put to rest when she saves his mother from fire. Things take a turn when his mother announces his marriage to Pratibha. Raja tries all tricks in the books to get rid of her, but fails.
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